Kenny looked at the clock by his bed, then got up and went to the window. Her Celica drove down their street and vanished from view.
He looked down at the driveway, now empty. His mom’s car had been there a moment before and now it was like it’d never been there.
He took a deep breath and held it. He listened to the sounds of the house, hummings and clickings. He’d never noticed before how many sounds there were. They went on whether he was there or not.
He wondered if this was what it was like to be dead.
He was always a creepy kid. When he was twelve he locked a six-year-old neighbor boy into a trunk, sitting atop it and telling him to breathe slowly. Later, he started buying chemistry sets and Tesla coils, turning the basement into a Frankenstein lab. This led to bomb-making, which led to moviemaking, which led to film school. You know the rest of the story.
The thing is, though, you had to know him when he was young. Sometimes I’ll be sitting in one of his movies and it will come back to me. I’ll remember what he’d been like.
Lurch sat at the bar and surveyed the customers. That was the problem with small towns, he thought. You knew everybody and everybody knew you.
In Chicago, he’d wear shorts to show his prosthetic leg and the barflies would naturally assume he was a veteran. He never actually claimed this status, but he didn’t discourage it. He wore dog tags and BDU shorts and boots. In some Chicago bars, he seldom had to buy a drink.
But everybody here knew he’d lost the leg jumping off a train. “Dare me,” he’d said.
He’d been drunk, of course.
Then and now.